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Tuning and Temperament: A Historical Survey (Dover Books on Music), by J. Murray Barbour
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The demands of tuning (attaining the perfect scale) and temperament (the compromises necessary for composing in every key) have challenged musicians from the earliest civilizations onward. This guide surveys these longstanding problems, devoting a chapter to each principal theory and offering a running account of the complete history of tuning and temperament. Organized chronologically, the book features a helpful glossary and numerous illustrative tables, and it requires minimal background in music theory. This new reissue is currently the only edition in print of a much-quoted classic. 9 figures. 180 tables.
- Sales Rank: #757677 in Books
- Brand: Dover Publications
- Model: 06-434060
- Published on: 2004-05-20
- Released on: 2004-05-20
- Original language: English
- Number of items: 1
- Dimensions: 8.52" h x .50" w x 5.36" l, .58 pounds
- Binding: Paperback
- 256 pages
Most helpful customer reviews
34 of 34 people found the following review helpful.
A classic, essential reading if a bit dated
By David P. Jensen
Barbour's book is essential reading for anyone wanting a comprehensive overview of historical temperaments, from the early Greeks to the twentieth century. That said, Barbour wrote from the vantage point of someone firmly believing that equal temperament is the ultimate expression of temperament, so the reader is left to interpret the contents, absorb what's good and toss out what's not so useful. Barbour cites many sources, so the book makes a decent bibliogrphy for further study. In fact, having read the book the reader should indeed go to the sources and make his own interpretation of the sources.
This book can be a tough read for someone not mathematically inclined - the analysis of every temperament is mathematically-based, and little reference is given to the needs of musicians. Additionally, a great deal of the book's ink is devoted to theoretical temperaments that either are not useable or have never found a use, so the reader is inclined to skip pages unless purely theoretical temperaments are of interest.
While this book is essential reading, there are several other contemporary writers on tuning and temperaments. Highly recommended is Mark Lindley's entry on the subject in the New Grove's. For a valuable polemic on temperaments and harmony, read Ross Duffin's recent "How Equal Temperament Ruined Harmony (and Why You Should Care)", available at Amazon.com.
16 of 16 people found the following review helpful.
Not "obsolete" or "useless" at all
By Bruce R. Gilson
Although I bought a copy approximately seven years ago, and first saw this book in a hardcover edition decades ago, I have not seen fit to write an actual review until now. And this mainly as a rebuttal to Claudio Di Veroli's harshly negative review.
First of all, I think it is eminently prejudicial for anyone reviewing a book not to disclose any interests he might have in other books on related topics. Di Veroli does not disclose his authorship of a book until he responds to a comment on his review, and this response to a comment is not visible to people just looking at his review unless they take the additional step of clicking to view comments. I am not going to violate my own ethics here -- I have myself written a book on musical scales, available on Amazon. (And I suppose a negative review that book got, written by a person who has coauthored research papers with the author of a rival book, prompted my feelings about such disclosures.)
To describe any book that presents historical data -- in this case, on tunings and temperaments from Greek days till the advent of equal temperament -- as "obsolete" is laughable. The book is a valuable reference on the ways instruments were tuned in past centuries, and I certainly did not consider it "useless," though in my own book I did not choose to provide such a listing -- in fact, readers of my book interested in such information are referred to Barbour's book.
Yes, I agree with Di Veroli that Barbour is opinionated in favor of equal temperament. Di Veroli says, "Barbour's purported steady evolution towards equal temperament, and his thesis that it is the only system worth tuning to, are nowadays not just erronous, but hilarious." Yet there ARE people who would agree with the idea that equal temperament "is the only system worth tuning to," despite Di Veroli's opinion. [And, of course, there are books maintaining the exact opposite, such as "How Equal Temperament Ruined Harmony (and Why You Should Care)" by Ross W. Duffin.] What is really the important point is that equal temperament has its advantages, and also its disadvantages, and a fair-minded approach would be to provide both -- but very few people (among those who have taken an interest in the subject) are truly neutral on this question.
What Barbour's book is important for is not his "purported steady evolution towards equal temperament" but his descriptions of tunings and temperaments used in the past, and I know of no other book that has the detail that Barbour provides. Di Veroli would (if I understand his review correctly) want pitches given more precisely than integer cents, but in fact very few people's hearing is so precise that even an error of a few cents is a significant one. (I have, in fact, a preference for other measures than cents, but this is my preference, and I do not let it downgrade my opinion of the book.)
This is hardly a perfect book on the subject, but it is far better than Di Veroli rates it in his review. And hopefully, people will not, by that review, be dissuaded from buying what is truly an important book.
39 of 41 people found the following review helpful.
A standard work, it should be reprinted
By David Benson
This book is a standard source on scales and temeraments, and their history. It compares and contrasts Pythagorean tuning, just intonation, meantone, irregular temperaments, and finally equal temperament. Barbour displays a strong predisposition towards twelve tone equal temperament in this work, and interprets the history of scales and temperaments as an inexorable march towards equal temperament.
If you are a publishing company looking for something to reprint, this is a classic.
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